Wed. Oct. 22 - 8:00 pm - 18+
BUY TICKETS HERE!
(Century Media Records)
TOMBS tap into the infinite well of emotion and expression on their astounding new full-length Path of Totality. Recorded by John Congleton (Baroness, Explosions in the Sky), Path of Totality is a massive step forward in songwriting and scope for the trio. Path of Totality finds TOMBS achieving what their previous recordings had always hinted at – an ultimately heavy and nuanced fusion of their disparate influences. “Bloodletters” and “Constellations” see the band flex its prodigious muscle; “Vermillion” and “Cold Dark Eyes” wrap arms of blackened misery around the listener, while the profound sadness of “Silent World” and “Passageways” further explores the trio’s UK post-punk influences. With Path of Totality, TOMBS has come into their own as one of the finest heavy bands in the world.
Of late, black metal in the United States-- however excellent it might have been-- has often hinged on headlines and talking points. But Vattnet Viskar has no manifesto with which to proselytize, no extreme ideology or infamy over which to bicker, and no yarn about life on the ol' Cascadian farm with which to allure. Sure, to an extent, they're vegan environmentalists from Plaistow, New Hampshire, a town so seemingly quaint that its official history includes a proud section about something called "The Deodorized Order of the Skunk" and another about how local Girl Scouts have "helped shape the moral and civic sensibilities of Plaistow girls for many decades." Aside from some surprisingly wide-eyed lyrics that explore general themes of existential nihilism and a desire to tear down antiquated systems and build anew, none of those concerns really become a factor here. Vattnet Viskar is simply a strong start from a band that has tapped into the current transmogrification of black metal and proclaimed-- quickly, restlessly, and enthusiastically-- that it has something to say about the process.
Beak's adept combination of blistering heaviness and melodic prog-rock sits within the traditions of Chicago's post metal landscape – at the same time fitting as well with the likes of Neurosis, Godflesh, Isis, and Killing Joke. Even before an official release, Beak has provided direct support for Killing Joke, as well as sharing the stage with Pentagram, Anvil, Weedeater, Mouth of the Architect, and more.